The dancers’ queer movements and nonsensical gibberish, all dictated by a sense of jouissance, reflect the unintelligible, undisciplined body hovering dangerously at the edge of pre-linguistic consciousness. Clearly transacting emotions within themselves, to each other, and to us, If I Sing to You is about the body coming into language, and all the gender disciplining (bodily or otherwise) that goes along with it. And through our kinetic familiarity with the performers’ everyday actions, the performer / spectator binary is recast, our subjectivities splayed out as raw as the bodies thrusting in front of us.